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Fauvism (/ f oʊ v ɪ z əm / FOH-viz-əm) is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves ( French pronunciation: [le fov] , the wild beasts ), a group of modern artists whose works emphasized painterly qualities and strong colour over the representational ...
The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visual form.
Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Luxe, Calme et Volupté (French pronunciation: [lyks kalm e vɔlypte]) is a 1904 oil painting by the French artist Henri Matisse.Both foundational in the oeuvre of Matisse and a pivotal work in the history of art, Luxe, Calme et Volupté is considered the starting point of Fauvism. [1]
As the art critic Robert Hughes observed: "In Futurism, the eye is fixed and the object moves, but it is still the basic vocabulary of Cubism—fragmented and overlapping planes." [16] Futurist art tended to disdain traditional subjects, specifically those of photographically realistic portraits and landscapes. Futurists thought of "imitation ...
This is a chronological list of periods in Western art history. ... Fauvism – 1904 – 1909, France; Expressionism – 1905 – 1930, Germany
Media in category "Fauvism" The following 9 files are in this category, out of 9 total. Georges Braque, 1906, L'Olivier près de l'Estaque (The Olive tree near l'Estaque).jpg 800 × 651; 661 KB
Louis Vauxcelles (French pronunciation: [lwi vosɛl]; born Louis Meyer; 1 January 1870 – 21 July 1943 [1]) was a French art critic. [2] He is credited with coining the terms Fauvism (1905) and Cubism (1908). He used several pseudonyms in various publications: Pinturrichio, Vasari, Coriolès, and Critias. [3]