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As of 2005, the primary users of the library fell into three main categories. These are university professors and their students using texts from the library as required reading without running up the students' bill for textbooks, people preparing sermons and Bible studies, and those reading for individual edification. [9]
The writings of a Christian poet are not necessarily classified as Christian poetry nor are writings of secular poets dealing with Christian material. The themes of poetry are necessarily hard to pin down, and what some see as a Christian theme or viewpoint may not be seen by others. A number of modern writers are widely considered to have ...
Similarly to the Christian poetry by fellow Catholic poet Marko Marulić, who believed that, "pagan myth and poetry gained a certain legitimacy when employed in the service of theology", [2] Devassia's poem is filled with multiple references and comparisons to well known stories about the gods, avatars, and demigods of Hinduism and even to ...
The Christian Year is a series of poems for all the Sundays and some other feasts of the liturgical year of the Church of England written by John Keble in 1827. The book is the source for several hymns. It was first published in 1827, and quickly became extremely popular.
This poem reworks verses extracted from the work of Virgil to tell stories from the Old and New Testament of the Christian Bible. Much of the work focuses on the story of Jesus Christ. While scholars have proposed a number of hypotheses to explain why the poem was written, a definitive answer to this question remains elusive.
"I Am – Somebody" is a poem often recited by Reverend Jesse Jackson, and was used as part of PUSH-Excel, a program designed to motivate black students. [1] A similar poem was written in the early 1940s by Reverend William Holmes Borders, Sr., senior pastor at the Greater Wheat Street Baptist Church and civil rights activist in Atlanta ...
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According to Watson Kirkconnell, the Christiad, "was one of the most famous poems of the Early Renaissance". Furthermore, according to Kirkconnell, Vida's, "description of the Council in Hell, addressed by Lucifer, in Book I", was, "a feature later to be copied", by Torquato Tasso , Abraham Cowley , and by John Milton in Paradise Lost .