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Fünf Gesänge (Five songs), Op. 104, is a song cycle of five part songs for mixed choir a cappella by Johannes Brahms. Composed in 1888 when Brahms was a 55-year-old bachelor, the five songs reflect an intensely nostalgic and even tragic mood. Brahms has chosen texts which centre on lost youth, summer turning into fall and, ultimately, man's ...
The site CPDL.org was launched in December 1998 by Rafael Ornes. [3] [4] In 2005 CPDL was ported, or converted, to wiki format, and is known as ChoralWiki. [5]In July 2008, Ornes stepped back from the site administration and turned the operational responsibilities to a group of the site administrators.
"E'en So, Lord Jesus, Quickly Come" is a 1953 motet composed by Paul Manz with lyrics adapted by Ruth Manz.The piece is adapted from text found in the Book of Revelation.It is known as Paul Manz's most notable composition and has been frequently performed by numerous ensembles and choral groups such as the King's College Choir, who are thought to have popularized it.
Carols for Choirs is a collection of choral scores, predominantly of Christmas carols and hymns, first published in 1961 by Oxford University Press. It was edited by Sir David Willcocks and Reginald Jacques , and is a widely used source of carols in the British Anglican tradition and among British choral societies. [ 1 ]
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Song with voice, 3-part male choir and organ: Augustin Veith Edler von Schittlersberg: December 1785 484 "Ihr unsre neuen Leiter" Song with voice, 3-part male choir and organ: Augustin Veith Edler von Schittlersberg: December 1785 489 "Spiegarti non poss'io" Duet for soprano and tenor
Britten wrote the part songs in the tradition of Edward Elgar, Parry and Charles Villiers Stanford. [4] He scored the works for a four-part unaccompanied choir. [2] He took into account that a student choir would perform the premiere on 23 July 1950 in the open air. The first performance was conducted at Dartington Hall by Imogen Holst.
Alleluia-Tropus for mixed vocal ensemble or chamber choir and 8 violoncellos ad lib. (2008), for mixed choir and string orchestra (2010) Adam's Lament for mixed choir and string orchestra (2009) Vater unser (Our Father) for boy soprano or countertenor or children's choir, version with piano (2011) version with string orchestra or string quintet ...