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Ultra Panavision 70 and MGM Camera 65 were, from 1957 to 1966, the marketing brands that identified motion pictures photographed with Panavision's anamorphic movie camera lenses on 65 mm film. Ultra Panavision 70 and MGM Camera 65 were shot at 24 frames per second (fps) using anamorphic camera lenses .
The development of this camera started in 1983. The goal was to design a 65 mm movie camera, which was quiet enough to fit sync sound productions and had a similar ergonomy to 35 mm cameras, to answer the growing demand for 65 mm cameras. Other 65 mm cameras had noise production of up to 50 dBA, which made sound recording impossible. [1]
70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. [1] As used in cameras, the film is 65 mm (2.6 in) wide. For projection, the original 65 mm film is printed on 70 mm (2.8 in) film.
The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MClS 70 and MCS Superpanorama 70) were photographed with ...
The new System 65 camera was self-blimped, with reflex viewing designed as the 65 mm cousin to the 35 mm Panaflex camera (and used many of the same accessories). Only two System 65 cameras were ever built, and the small fleet of old 65 mm handheld reflex cameras had their lens mounts modified to accept the System 65 lenses.
The pictures —tender and funny, mysterious and unsettling — were curated by Gulnara Samoilova, a former Associated Press photographer and founder of the Women Street Photographers project ...
1935 model Mitchell NC Camera Mitchell Standard 35mm camera - The original Mitchell rackover pin-registered studio camera, introduced in 1920 as a hand-cranked silent film camera. The rackover device allowed the camera portion with its side-mounted viewfinder to be "racked over" upon its base by turning a handle on the rear of the camera base.
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format.