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"E=MC 2" is a 1986 single by the English band Big Audio Dynamite, released as the second single from their debut studio album, This Is Big Audio Dynamite (1985). The song was the band's first Top 40 hit on the UK Singles Chart , peaking at number 11.
E=MC² became Carey's first album to spend two straight weeks at number one since 1995's Daydream, although The Emancipation of Mimi (2005) spent two non-consecutive weeks at the top spot. [108] On Billboard ' s Top R&B/Hip-Hop Albums chart, E=MC² debuted at number one, and spent forty-seven weeks fluctuating within the top 100. [109]
E = mc 2 is the equation of mass–energy equivalence. E=MC 2 or E=MC2 may also refer to: ... "E=MC 2", a song by Ayreon from the 2008 album 01011001; Other uses
E=MC² is a 1979 studio album by Italian producer Giorgio Moroder. [1] It has been billed as the "first electronic live-to-digital album." [ 2 ] The album's title track peaked at number 4 on Billboard ' s Dance Club/Disco chart.
The Atomic Mr. Basie (originally called Basie, also known as E=MC 2 and reissued in 1994 as The Complete Atomic Basie) is a 1958 album by Count Basie, featuring the song arrangements of Neal Hefti and the Count Basie Orchestra.
Written by Mick Jones and Don Letts about a fictitious medicine show, and following the success of "E=MC 2", "Medicine Show" was released as the third and final single from the album, peaking at No. 29 on the UK Singles Chart, and No. 42 on Billboard's Modern Rock Tracks chart. [1] [2] It was their final top 40 single in the UK with the ...
In 2008, Carey released her tenth studio album, E=MC², which sold over 2.5 million copies worldwide. Her subsequent release, Memoirs of an Imperfect Angel (2009), managed sales of two million units while her second holiday album Merry Christmas II You (2010) shipped over 500,000 copies in the United States. [ 19 ]
The song premiered to European radio on August 28, 2009 [39] and US radio on September 14, 2009. It was released to US iTunes on September 22, 2009. The song failed to climb further than number 60 on the Billboard Hot 100 despite being successful on Adult Contemporary radio, reaching No. 10 on the AC chart. The song was more successful in Europe.