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"Today" is a folk rock ballad written by Marty Balin and Paul Kantner from the band Jefferson Airplane. It first appeared on their album Surrealistic Pillow with a live version later appearing on the expanded rerelease of Bless Its Pointed Little Head. Marty Balin said, "I wrote it to try to meet Tony Bennett. He was recording in the next studio.
Jorma Kaukonen showcased his blues roots with a slow, heavy cover of the traditional "Rock Me Baby", a song that had been played by the band as early as 1966. Of the remaining selections, "Clergy" was an audio excerpt from the film King Kong that was used to introduce the band at their Fillmore shows, while "Turn Down the Lights" was a short ...
Kaukonen wrote one more song for the album, the instrumental "Upfront Blues." At least two songs were written but rejected for the album: Balin's "Let's Go" and Slick's "Harbor in Hong Kong". [9] [10] [11] After the album was released, Hot Tuna signed to Epic and released Pair a Dice Found—their first studio album in fourteen years.
Beyoncé Releases New Song ‘My House ... The superstar dropped a new track, “My House,” today, ... Passenger plane catches fire at South Korean airport. All 176 people on board are eva…
Jefferson Airplane Takes Off is the debut studio album by the American rock band Jefferson Airplane, released on 15 August 1966 by RCA Victor.The personnel differs from the later "classic" lineup: Signe Toly Anderson was the female vocalist and Skip Spence played drums.
The song was recorded by the Song Spinners [5] for Decca Records, reaching number one on the Billboard pop chart on July 2, 1943. [6]"Comin' in on a Wing and a Prayer" was the only song with a war connection to appear in the top twenty best-selling songs of 1943 in the United States (although record sales in this period were heavily affected by the first Petrillo recording ban).
Thanks to its country vibes, and vengeful lyrics (no song is more popular than one from a woman scorned), the track has reached some major heights on the Spotify U.S. Viral 50 chart.
Published in 1926, the song was first recorded by Clarence Williams' Blue Five with vocalist Eva Taylor in 1927. [1] It was popularized by the 1930 recording by McKinney's Cotton Pickers, who used it as their theme song [2] and by Louis Armstrong's record for Okeh Records (catalogue No.41448), both of which featured in the charts of 1930. [3]