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10 Cloverfield Lane is a 2016 American science fiction horror thriller [6] film directed by Dan Trachtenberg in his directorial debut, produced by J. J. Abrams and Lindsey Weber and written by Josh Campbell, Matthew Stuecken, and Damien Chazelle.
Cloverfield is an American science fiction anthology film series [1] and media franchise created and produced by J. J. Abrams consisting of three films, viral marketing websites linking the films together, and a tie-in manga to the first film titled Cloverfield/Kishin (2008), all set in a shared fictional universe referred to as the "Cloververse".
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Clover does not appear in the second film of the Cloverfield franchise, the 2016 film 10 Cloverfield Lane. Despite its size, Clover was conceived by the film's creators as being a newborn. [8] In The Cloverfield Paradox (2018), a similar but significantly larger creature is seen at the conclusion of the film. Earlier in the film, a massive ...
The Cloverfield Paradox is a 2018 American science fiction horror film directed by Julius Onah and written by Oren Uziel, from a story by Uziel and Doug Jung, and produced by J. J. Abrams and Lindsey Weber. It is the third film in the Cloverfield franchise, following Cloverfield (2008) and 10 Cloverfield Lane (2016).
Cloverfield: Matt Reeves: Lizzy Caplan, Jessica Lucas, T.J. Miller: United States [28] The Coffin: Ekachai Uekrongtham: Florence Faivre, Aki Shibuya, Karen Mok: South Korea Hong Kong Thailand [29] Cold Prey 2: Mats Stenberg: Viktoria Winge, Marthe Snorresdotter Rovik, Ingrid Bolsø Berdal: Norway [30] Colin: Marc Price: Tat Whalley, Dominic ...
Dan Trachtenberg (born May 11, 1981) is an American filmmaker and podcast host. [2]He is best known for directing the films 10 Cloverfield Lane (2016) and Prey (2022), the former earning him a Directors Guild of America Award nomination for Outstanding Directing – First-Time Feature Film. [3]
Filmtracks.com wrote "10 Cloverfield Lane remains a truly engaging score that performs beyond most expectations." [10] Pete Simons of Synchrotones called it as "an expertly executed thriller score, with a dense and warm orchestral sound, beautiful orchestrations and an attractive main theme". [11]