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Shakespeare introduced or invented countless words in his plays, with estimates of the number in the several thousands. Warren King clarifies by saying that, "In all of his work – the plays, the sonnets and the narrative poems – Shakespeare uses 17,677 words: Of those, 1,700 were first used by Shakespeare."
Early Modern English (sometimes abbreviated EModE [1] or EMnE) or Early New English (ENE) is the stage of the English language from the beginning of the Tudor period to the English Interregnum and Restoration, or from the transition from Middle English, in the late 15th century, to the transition to Modern English, in the mid-to-late 17th century.
Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith.
Late Modern English has many more words, arising from the Industrial Revolution and technologies that created a need for new words, as well as international development of the language. The British Empire at its height covered one quarter of the Earth's land surface, and the English language adopted foreign words from many countries. British ...
Modern English, sometimes called New English (NE) [2] or present-day English (PDE) as opposed to Middle and Old English, is the form of the English language that has been spoken since the Great Vowel Shift in England, which began in the late 14th century and was completed by the 17th century.
However, Shakespeare's celebration of Tudor order is less important in these plays than his presentation of the spectacular decline of the medieval world. Some of Shakespeare's histories—notably Richard III —point out that this medieval world came to its end when opportunism and Machiavellianism infiltrated its politics.
Theobald has been called "the first Shakespeare scholar"; [1] he carried forward the task of collating the quartos, and began the study of Shakespeare's sources and the order of the plays' composition. (See Chronology of Shakespeare's plays.) 1744, Thomas Hanmer; quarto, 6 volumes. Hanmer relied on Theobald's text, and made guesswork corrections.
Shakespeare's poetic genius was allied with a practical sense of the theatre. [17] Like all playwrights of the time, Shakespeare dramatised stories from sources such as Petrarch and Holinshed. [18] He reshaped each plot to create several centres of interest and show as many sides of a narrative to the audience as possible.