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In his 91-year life, prolific composer and lyricist Stephen Sondheim crafted some of Broadway’s most iconic tunes. From “West Side Story” to “Into the Woods,” his music has stood the ...
Pages in category "Songs written by Stephen Sondheim" ... The Best Thing That Has Ever Happened; ... (Barbra Streisand song) M. Maria (West Side Story song) ...
Stephen Sondheim circa 1970. Stephen Sondheim was an American composer and lyricist whose most acclaimed works include A Funny Thing Happened on the Way to the Forum (1962), Company (1970), Follies (1971), A Little Night Music (1973), Sweeney Todd: The Demon Barber of Fleet Street (1979), Sunday in the Park with George (1984), and Into the Woods (1987).
Stephen Joshua Sondheim (/ ˈ s ɒ n d h aɪ m /; March 22, 1930 – November 26, 2021) was an American composer and lyricist. Regarded as one of the most important figures in 20th-century musical theater, he is credited with reinventing the American musical. [1]
A Funny Thing Happened on the Way to the Forum is a musical with music and lyrics by Stephen Sondheim and book by Burt Shevelove and Larry Gelbart.. Inspired by the farces of the ancient Roman playwright Plautus (254–184 BC), specifically Curculio, Pseudolus, Miles Gloriosus, and Mostellaria, the musical tells the bawdy story of a slave named Pseudolus and his attempts to win his freedom by ...
Send In the Clowns" is a song written by Stephen Sondheim for the 1973 musical A Little Night Music, an adaptation of Ingmar Bergman's 1955 film Smiles of a Summer Night. It is a ballad from Act Two, in which the character Desirée reflects on the ironies and disappointments of her life.
West Side Story is the soundtrack album to the 1961 film West Side Story, featuring music by Leonard Bernstein and lyrics by Stephen Sondheim.Released in 1961, the soundtrack spent 54 weeks at No. 1 on Billboard ' s stereo albums charts, giving it the longest run at No. 1 of any album in history, [2] although some lists instead credit Michael Jackson's Thriller, on the grounds that this run ...
Sondheim borrowed the phrase for the song title. [2] It is an example of a "list song". Sondheim noted that "the song develops through decades" (p. 181). Stephen Banfield describes it as "a blues song" (p. 183). [3] The tune was written as a pastiche of Harold Arlen, one of Sondheim's favorite Broadway composers.