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Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
It includes the Bauhaus, Mid-Century Modern, International style, Brutalism, and other regional expressions. It does not include pre-modernist or proto-modernist movements (that may otherwise be considered "modern") such as expressionist architecture, Art Nouveau, Art Deco, Jugendstil, and the Vienna Secession.
The Bauhaus emblem, designed by Oskar Schlemmer, was adopted in 1922. Typography by Herbert Bayer above the entrance to the workshop block of the Bauhaus Dessau, 2005. The Staatliches Bauhaus (German: [ˈʃtaːtlɪçəs ˈbaʊˌhaʊs] ⓘ), commonly known as the Bauhaus (German for 'building house'), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. [1]
Mid-century modern 1950s–1960s California, US, Latin America; Mission Revival Style architecture 1894–1936; California, US; Modern movement 1927–1960s; Modernisme 1888–1911 Catalan Art Nouveau; National Park Service Rustic 1872–present US; Natural building 2000– Nazi architecture 1933–1944 Germany; Neo-Byzantine architecture 1882 ...
The Bauhaus Dessau is one of the iconic buildings of the 20th century. It was designed by Walter Gropius and was officially opened on 4 December 1926, having taken just over a year to build. [ 12 ] It is "regarded as a 'built manifesto' of the Bauhaus's ideas, in which the functionality and aesthetics of the design coalesce to form a single ...
The strands of thought that eventually led to modern art can be traced back to the Enlightenment. [b] The modern art critic Clement Greenberg, for instance, called Immanuel Kant "the first real Modernist" but also drew a distinction: "The Enlightenment criticized from the outside ... . Modernism criticizes from the inside."