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In a continuous-line drawing, the artist looks both at the subject and the paper, moving the medium over the paper, and creating a silhouette of the object. Like blind contour drawing, contour drawing is an artful experience that relies more on sensation than perception; it's important to be guided by instinct. [2]
One of the most fundamental elements of art is the line. An important feature of a line is that it indicates the edge of a two-dimensional (flat) shape or a three-dimensional form. A shape can be indicated by means of an outline, and a three-dimensional form can be indicated by contour lines. [1]
Blind contour drawing is a drawing exercise, where an artist draws the contour of a subject without looking at the paper. The artistic technique was introduced by Kimon Nicolaïdes in The Natural Way to Draw , and it is further popularized by Betty Edwards as "pure contour drawing" in The New Drawing on the Right Side of the Brain .
A floral diagram is a graphic representation of the structure of a flower. It shows the number of floral organs, their arrangement and fusion. Different parts of the flower are represented by their respective symbols. Floral diagrams are useful for flower identification or can help in understanding angiosperm evolution.
Beginning in 1949, while living in Paris (and influenced in this choice of subject by Henri Matisse and Jean Arp) he began to draw simple plant and seaweed forms. [31] The plant studies are, for the most part, contour drawings of leaves, stems and flowers done in clean strokes of pencil or pen and centered on the page. [32]
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In the book by JM Parramon, "Creative Watercolor", the author set out the technical elements that establish the singularity of Charles Reid's style. The contour-drawing [22] and his way of applying the color. [23] According to Parramon his paintings show how he "associates the precision of the form to the ease of the line and the color". [24]
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