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Brandon Christopher McCartney (born August 17, 1989), [1] [2] known professionally as Lil B and as his alter ego the BasedGod, is an American rapper.He has recorded both solo and as a member of the Berkeley, California-based hip hop group the Pack.
When Lil B heard the beat, he blurted out the lyrics that would become the chorus: "Got my Vans on but they look like sneakers." [ 1 ] The Pack first released the song on their MySpace page. [ 2 ] It became a surprise hit for them and caught the attention of rapper Too Short , who then signed the Pack to his Up All Nite label.
Musixmatch is an Italian music data company and platform for users to search and share song lyrics with translations. Musixmatch has 80 million users (50M active users), [2] 12 million songs with their respective lyrics, and 115+ employees.
This version was re-arranged and produced by Pack, Oliver Leiber, and Shaun LaBelle, as a bonus track. The original vocals were kept, but Pack and McDonald added new vocal improvisation, while the sax solo was added by Everette Harp. [4] In 2019, Pack re-mixed and re-mastered the original 1985 recording of this song to create a new video.
Anywhere You Go is the first full-length recording from David Pack, the lead singer for the band Ambrosia. The LP was released in November 1985. The LP was released in November 1985. Pack wrote five songs himself and co-wrote the other five.
In 2019, he released the projects God Blessing All the Fat Niggas and STD. [5] On June 14, 2020, Thomas released the single "Free Joe Exotic" alongside fellow Michigan rapper Sada Baby, which became his breakout hit. The song was inspired and named after Joe Exotic, the subject of Tiger King released from March 20 to April 12, 2020.
Brandon's music career started in 1978, in Clapham, south London, with the formation of punk group The Pack, in which he was the singer and songwriter. The Pack consisted of Brandon, Scottish-born drummer Rab Fae Beith and two Canadian brothers, Simon and Jon Werner on guitars. The last live gig by The Pack took place at the 101 club in Clapham.
[7] Mojo critic Andrew Male described the track as "a raucous five-minute mesh of melody and discord, an art-rock anti-war romance, gasping under the pack-ice of no-wave sax-squawk." [ 6 ] The magazine listed it as Bowie's 38th best track in 2015.