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Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
It is frequently depicted in the art, songs, and oral histories of many Pacific Northwest Coast cultures, [citation needed] but is also found in various forms among some peoples of the American Southwest, [citation needed] US East Coast, [citation needed] Great Lakes, [1] and Great Plains.
Hamatsa: The Enigma of Cannibalism on the Pacific Northwest Coast by Jim McDowell; Chiefly Feasts: The Enduring Kwakiutl Potlatch by Aldona Jonaitis; Aldona Jonaitis (1998). From the Land of the Totem Poles. University of Washington Press. ISBN 0-295-97022-7. The Kwakiutl Indians of British Columbia by Ronald Rohner and Evelyn Bettauer
The totem poles of the Pacific Northwestern Indigenous peoples of North America are carved, monumental poles featuring many different designs (bears, birds, frogs, people, and various supernatural beings and aquatic creatures). They serve multiple purposes in the communities that make them.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
The Haida are one of the indigenous peoples of the Pacific Northwest Coast of North America. Their national territories lie along the west coast of Canada and include parts of south east Alaska . Haida mythology is an indigenous religion that can be described as a nature religion , drawing on the natural world, seasonal patterns, events and ...
The reputation of a pole's maker depended on the quality of his work. The Kwakwaka'wakw style of totem uses more protruding elements than other Northwest coast totems, such as stretching limbs, beaks jutting out, and wings thrust away from the body of the pole. [24] Painting followed a scheme of alternating dark and light colors for contrast.
Natsilane does so, and over the years the seeds grow into a bewildering array of tree species, all of which are now native in the Pacific Northwest. Natsilane uses wood from the trees to carve tools and a boat. Haida grave totem with Blackfish motif, 19th c. In appreciation of Sea otter, Natsilane then tries to carve a new totem.