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With a height that is only four to eight times its diameter, the columns are the most squat of all orders. The shaft of the Doric order is channeled with 20 flutes. The capital consists of a necking or annulet, which is a simple ring. The echinus is convex, or circular cushion like stone, and the abacus is a square slab of stone.
In architecture, intercolumniation is the proportional spacing between columns in a colonnade, often expressed as a multiple of the column diameter as measured at the bottom of the shaft. [1] In Classical , Renaissance , and Baroque architecture , intercolumniation was determined by a system described by the first-century BC Roman architect ...
It had 20 columns on each side and a triple row at the porticos, 104 columns, (diameter: 1.9 metres diameter, height: 17 metres high)(6 ft 4 ins; 56 ft). Some of the columns were shipped to Rome before the temple was complete and used for the Temple of Jupiter Capitolinus where they had a profound effect on Roman architecture.
In their original Greek version, Doric columns stood directly on the flat pavement (the stylobate) of a temple without a base. With a height only four to eight times their diameter, the columns were the most squat of all the classical orders; their vertical shafts were fluted with 20 parallel concave grooves, each rising to a sharp edge called an arris.
Proportion is a defining characteristic of the Corinthian order: the "coherent integration of dimensions and ratios in accordance with the principles of symmetria" are noted by Mark Wilson Jones, who finds that the ratio of total column height to column-shaft height is in a 6:5 ratio, so that, secondarily, the full height of column with capital ...
The naos was divided into two parts by a row of five columns which were in line with the columns of the facade. The columns in the centre of the room rise to a height of 5.4 to 6.46 metres, but despite the different heights they all have the same diameter at ground level (50 cm) – in violation of the norms of archaic rules of proportion.
The height of each of these monuments was originally even higher, as all were further crowned with a colossal imperial statue several times life-size. The tallest victory column in Rome was the Column of Marcus Aurelius, Rome, with the height of its top above ground being c. 39.72 m.
The design was changed to have three rows of eight columns across the front and back of the temple and a double row of twenty on the flanks, for a total of 104 columns. The columns would stand 17 m (56 ft) high and 2 m (6 ft 7 in) in diameter.