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The Entry of Richard and Bolingbroke into London (from William Shakespeare's 'Richard II', Act V, Scene 2), James Northcote (1793) The Life and Death of King Richard the Second, often shortened to Richard II, is a history play by William Shakespeare believed to have been written around 1595.
Edward, Prince of Wales, kneeling before his father, King Edward III. Richard of Bordeaux was the younger son of Edward, Prince of Wales, and Joan, Countess of Kent.Edward, eldest son of Edward III and heir apparent to the throne of England, had distinguished himself as a military commander in the early phases of the Hundred Years' War, particularly in the Battle of Poitiers in 1356.
The term Henriad was popularized by Alvin Kernan in his 1969 article, "The Henriad: Shakespeare’s Major History Plays" to suggest that the four plays of the second tetralogy (Richard II; Henry IV, Part 1; Henry IV, Part 2; and Henry V), when considered together as a group, or a dramatic tetralogy, have coherence and characteristics that are the primary qualities associated with literary epic ...
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Richard, Duke of Gloucester, later King Richard III, brave but evil, is the third son of Richard, Duke of York (1). He is a fairly minor character in Henry VI, Part 2 , is more prominent in Henry VI, Part 3 , and is the title character—and murderer of many other characters—in Richard III .
Bangor, Wales was the setting for scene I of William Shakespeare's Henry IV, Part 1. [3]Barnet; Baynard's Castle; The hospital of Bedlam is mentioned in "Pat!—he comes, like the catastrophe of the old comedy//my cue//is villainous melancholy, with a sigh like Tom o' Bedlam" King Lear, 1.2.
The King also referenced the connections between his historic surroundings and his mother, naming the various monuments to the Queen in the parliamentary estate.
Title page of the 1634 quarto. The Two Noble Kinsmen is a Jacobean tragicomedy, first published in 1634 and attributed jointly to John Fletcher and William Shakespeare.Its plot derives from "The Knight's Tale" in Geoffrey Chaucer's The Canterbury Tales (1387–1400), which had already been dramatised at least twice before, and itself was a shortened version of Boccaccio's epic poem Teseida.