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Lâm Nhật Tiến (born 3 September 1971) is a Vietnamese-American singer who was affiliated with the music label, Asia Entertainment Inc. from 1994 to 2016. [1] He gained prominence through numerous appearances in Asia Entertainment's music videos, establishing himself as one of Vietnam's leading male pop stars.
The ngã and hỏi tone are merged into a mid falling-rising (214) [˨˩˦], which is somewhat similar to the hỏi tone of the non-Hanoi Northern accent mentioned above. This merged hỏi–ngã tone is characteristic of Southern Vietnamese accents. [31] [32] Southern Vietnamese tone system from female native speaker. From Jessica Bauman et al ...
Trịnh Công Sơn (February 28, 1939 – April 1, 2001) was a Vietnamese musician, songwriter, painter and poet. [1] [2] He is widely considered to be Vietnam's best songwriter.
In many years with Tinh Music, Minh Tuyết released numerous hits from Lang Thang, Quán Vắng Một Mình, Bờ Bến Lạ, Mãi là người đến sau, etc. Despite her success, the company decided to release a solo video containing the only voice of Minh Tuyết with "Về Cuối Đường Tình" in DVD, VHS, and CD formats.
Vũ Lệ Quyên (born April 2, 1981), known by her stage name Lệ Quyên, is a Vietnamese singer.In 2004, she began her professional singing career with her debut album named Giấc mơ có thật (True Dream).
Shadaj (Sa) Shadaj is the first svara out of the seven svaras of Hindustani music and Carnatic music. [1] Shadaj is the long form of the syllable सा. [2] For simplicity in pronouncing while singing the syllable, Shadaj is pronounced as Sa (notation - S).
The famous VL-Tone VL-1 (1981) [2] [3] uses a method of sound synthesis based on the Walsh function. Keyboards such as the CT-202 ( c. 1981 ) use vowel-Consonant synthesis . The later model of this family, the MT-65, is one of the more well known and sought after models, as it also contains auto-accompaniment drum beats and bass lines.
Eh La Bas is a traditional New Orleans song.Originally it was sung with Cajun lyrics but was later given French lyrics and the common title from the French lyrics. There have been numerous versions, including English lyrics that refer to both the Cajun and French versions, and all employ a call and response.