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The Rite of Spring[n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev 's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.
Stück von Pina Bausch: Tangoes, sung a.o. by Carlos Gardel: 1982 Walzer: Stück von Pina Bausch: Waltz: by Edith Piaf, Tino Rossi, a.o. Nelken: Stück von Pina Bausch: Carnations: by Franz Schubert, George Gershwin, Sophie Tucker, a.o. New version in 1983 at the Theaterfestival München: 1984 Auf dem Gebirge hat man ein Geschrei gehört ...
Website. www.pina-bausch.de /en /pieces /cafe _mueller.php. Café Müller is a dance choreographed by Pina Bausch set to the music of Henry Purcell. [1] It has been performed regularly since its creation and in May 1978 was performed and filmed at the Opernhaus, and broadcast on German television in December of that year.
Pina is a 2011 German 3D documentary film directed by Wim Wenders [2] that is about German dancer and choreographer Pina Bausch. [3] On 30 June 2009, during the preparation for the film, Bausch died unexpectedly, so Wenders cancelled the project, but the dancers of Bausch's company, Tanztheater Wuppertal, convinced him to proceed as planned, as a way of memorializing Bausch and some of her ...
Raimund Hoghe (12 May 1949 – 14 May 2021) was a German choreographer, dancer, film maker, journalist, and author. Because he was born with scoliosis, his early efforts were focused on journalism.
Reinhild Hoffmann moved to southern Germany as a child and studied ballet at a school in Karlsruhe. From 1965 to 1970, she studied contemporary dance at the Folkwang School in Essen with Susanne Linke and Pina Bausch and graduated with a degree in dance education. Hoffmann, Linke, and Bausch are often credited as the three chief founders of the ...
As one does, looking for something else I found on the internet this pdf, "Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style by Robert Fink, in the Journal of the American Musicological Society, Vol. 52, No. 2 (Summer, 1999), pp. 299-362.It says the autograph is in the Paul Sacher institute.
Returning to some of the concerns of 2016’s “Bitter Money,” by contrast, the 218-minute “Youth (Spring)” deals in a form of anti-drama, in which each new strand becomes a depressing ...