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Edern ap Nudd (Latin: Hiderus; [1] Old French: Yder [2] or Ydier) was a knight of the Round Table in Arthur's court in early Arthurian tradition. As the son of Nudd (the Nu, Nut or Nuc of Old French, Arthurian romance), he is the brother of Gwyn, Creiddylad, and Owain ap Nudd. In French romances, he is sometimes made the king of a separate realm.
King Arthur (Welsh: Brenin Arthur, Cornish: Arthur Gernow, Breton: Roue Arzhur, French: Roi Arthur), according to legends, was a king of Britain. He is a folk hero and a central figure in the medieval literary tradition known as the Matter of Britain .
Cousin of Arthur's in early Welsh legend (King) Cynric of Wessex: Anglo-Saxon Chronicle, 9th century Second King of Wessex, son of Cerdic Dagonet† Idylls of the King: Arthur's court jester: Daniel von Blumenthal† Daniel von Blumenthal, 1220 A Knight of the Round Table found in an early German offshoot of Arthurian legend Dinadan†
Carnwennan ("Little White Hilt") was the dagger of King Arthur in the Welsh Arthurian legends. In Culhwch and Olwen, Arthur names it as one of the few things in the world which he will not give to Culhwch. Later, he uses it to slay the witch Orddu, the daughter of the witch Orwen, by slicing her in half. [1]
Twrch Trwyth (Welsh pronunciation: [tuːɾχ tɾʊɨθ]; also Welsh: Trwyd), is a fabulous wild boar from the Legend of King Arthur, of which a richly elaborate account of its hunt described in the Welsh prose romance Culhwch and Olwen, probably written around 1100. Pronunciation of Twrch trwyth
Illustration, c. 1901, by W. E. F. Britten.. Sir Galahad is a poem written by Alfred Tennyson, 1st Baron Tennyson, and published in his 1842 collection of poetry.It is one of his many poems that deal with the legend of King Arthur, and describes Galahad experiencing a vision of the Holy Grail.
[2]: xi His enthusiasm for Arthur is apparent in the work. The book was left unfinished at his death, and ends with the death of chivalry in Arthur's purest knight, Lancelot of the Lake. [2]: Chase Horton, Appendix, p. 296. Steinbeck took a "living approach" to the retelling of Malory's work.