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  2. Audio time stretching and pitch scaling - Wikipedia

    en.wikipedia.org/wiki/Audio_time_stretching_and...

    The simplest way to change the duration or pitch of an audio recording is to change the playback speed. For a digital audio recording, this can be accomplished through sample rate conversion. When using this method, the frequencies in the recording are always scaled at the same ratio as the speed, transposing its perceived pitch up or down in ...

  3. Sample-rate conversion - Wikipedia

    en.wikipedia.org/wiki/Sample-rate_conversion

    Sample-rate conversion prevents changes in speed and pitch that would otherwise occur when transferring recorded material between such systems. More specific types of resampling include: upsampling or upscaling; downsampling, downscaling, or decimation; and interpolation.

  4. Sampler (musical instrument) - Wikipedia

    en.wikipedia.org/wiki/Sampler_(musical_instrument)

    To change sounds a new set of tapes had to be installed in the instrument. The emergence of the digital sampler made sampling far more practical. The earliest digital sampling was done on the EMS Musys system, developed by Peter Grogono (software), David Cockerell (hardware and interfacing) and Peter Zinovieff (system design and operation) at ...

  5. Pitch shifting - Wikipedia

    en.wikipedia.org/wiki/Pitch_shifting

    Older digital processors could often shift pitch only in post-production, whereas many modern devices using computer processing technology can change pitch values virtually in real time. [ 4 ] Pitch correction is a form of pitch shifting and is found in software such as Auto-Tune and Melodyne to correct intonation inaccuracies in a recording or ...

  6. Akai S3000XL - Wikipedia

    en.wikipedia.org/wiki/Akai_S3000XL

    The Akai S3000XL [3] is a sampler with 32 polyphonic voices, and 2 MB of built-in RAM.. For adding sounds to the sampler, the S3000XL features a 3.5" floppy drive that reads Akai-formatted floppies, and a SCSI port which allows for connection to an external storage device (such as a zip drive or external hard disk), a CD reader, or a computer for editing samples via the MESA editor.

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  8. Roland SP-606 - Wikipedia

    en.wikipedia.org/wiki/Roland_SP-606

    Unlike the predecessors, the SP-606 was designed in collaboration with Cakewalk. As a result, the sampler was bundled with the then-new P606 software from Cakewalk for enhanced integration and functionality with a PC. [2] The SP-606 has over 40 various effects, which include Isolator, Filter + Drive, Slicer, Reverb, Tape Echo.

  9. Boss SP-303 - Wikipedia

    en.wikipedia.org/wiki/Boss_SP-303

    Frequent SP-303 and 404 user Dibiase said of the sampler, "The difference between the 303 and SP-404 is that the vinyl sound compression sounds way different in the 303. It has a grittier sound." [2] [3] The sampler has often been used live and in the studio by artists such as Animal Collective, Panda Bear, [4] Four Tet, [5] Madlib [6] [7] and ...