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Handwritten version of 'Happiness Makes Up in Height For What It Lacks in Length' by Robert Frost. Found inscribed in a Robert Frost book in the Special Collections Library at Duke University. Date of signature in the book predates formal release in publication of the poem. The Gift Outright; The Most of It; Come In; All Revelation [2] A ...
It was included in Frost's third collection of poetry Mountain Interval, which was published in 1916. Consisting of 59 lines, it is one of Robert Frost's most anthologized poems. Along with other poems that deal with rural landscape and wildlife, it shows Frost as a nature poet. [1]
Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. Known for his realistic depictions of rural life and his command of American colloquial speech, [2] Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
"Stopping by Woods on a Snowy Evening" is a poem by Robert Frost, written in 1922, and published in 1923 in his New Hampshire volume. Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Frost called it "my best bid for remembrance". [2]
"Nothing Gold Can Stay" is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [1] which earned Frost the 1924 Pulitzer Prize for Poetry. The poem lapsed into public domain in 2019. [2]
New Hampshire is a 1923 poetry collection by Robert Frost, which won the 1924 Pulitzer Prize for Poetry. [1]The book included several of Frost's most well-known poems, including "Stopping by Woods on a Snowy Evening", [2] "Nothing Gold Can Stay" [3] and "Fire and Ice". [4]
As early as 2006, Swift included a nod to Robert Frost’s poem “The Road Not Taken” in the song “The Outside” from her self-titled debut album. “I tried to take the road less traveled ...
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...