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Arabesque and Moresque are really distinct; the latter is from the Arabian style of ornament, developed by the Byzantine Greeks for their new masters, after the conquests of the followers of Mahomet; and the former is a term pretty well restricted to varieties of cinquecento decoration, which have nothing in common with any Arabian examples in ...
An arabesque is a type of music which uses melodies to create the atmosphere of Arabic architecture. [1] ... It is a highly ornamented style.
Arabesque (Turkish: Arabesk) is a style of Turkish music popular in Turkey, the Balkans, the Caucasus, the Middle East, and Eastern Europe. The genre was particularly popular in Turkey from the 1960s through the 2000s. Its aesthetics have evolved over the decades and into the 2010s. It often includes the bağlama and Middle Eastern music.
The second arabesque in G major is noticeably quicker and more lively in tempo. It opens with left hand chords and right hand trills. The piece makes several transpositions and explores a lower register of the piano. Again notable is a hint of the pentatonic scale. It closes in a similar fashion to the first arabesque.
Seven Western arabesque panels, Farnsborough, England. Drawings by Jules Lachaise and Eugène-Pierre Gourdet, 1880–1886. A Western style of ornament based on Islamic arabesque developed in Europe, starting in late 15th century Venice; it has been called either moresque or western arabesque.
Arabesque position with working leg à la hauteur, forming a 90° angle with supporting leg Arabesque penchée. Arabesque (French:; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the supporting leg–with the other leg–the working leg–turned out and extended behind the body, with both legs held straight.