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Rasa has been an important influence on the cinema of India. Satyajit Ray has applied the Rasa method of classical Sanskrit drama to movies, for instance in The Apu Trilogy (1955–1959). [37] In Hindi cinema, it is the theme of the film Naya Din Nayi Raat, where Sanjeev Kumar plays nine characters corresponding to nine Rasa. [citation needed]
Curcuma zanthorrhiza, known as temulawak, Java ginger, Javanese ginger, or Javanese turmeric is a plant species, belonging to the ginger family. [2] It is known in Javanese as temulawak, in Sundanese as koneng gede (or big yellow) and in Madurese as temu labak. [2]
Rasa (Sanskrit: रास, IAST: rāsa) refers to the creation and reception of a distinct 'flavor' or quality of something. As a Sanskrit theological concept, rasa was popularized Krishna -centered bhakti traditions, such as Gaudiya Vaishnavism from the fifteenth century.
Rasa Renaissance is a movement in the art of painting that makes evocation of rasas (emotional moods) the prime aim in the creation and appreciation of a work of art. Rasa is the quality of emotional fulfilment that a work of art produces through the personalities, their expression and the situation presented in a painting.
Rasa means "flavour", and the theory of rasa is the primary concept behind classical Indian arts including theatre, music, dance, poetry, and sculpture. Much of the content of traditional Indian arts revolves around the relationship between a man and a woman.
Rasa, Malaysia, a town in Selangor, Malaysia; Raša (river), a river in Istria, Croatia; Rasa (Argeș), a river in southern Romania; Rasa, a village in Grădiștea, Călărași, Romania; Rasa, Ticino, a hamlet in the Swiss canton of Ticino; Rasa di Varese, a hamlet in the Italian province of Varese; Rasa, the former name of Lhasa, Tibet
Hence, he places the ninth rasa as a supreme among others as it is a means to attain mokṣa. [13] Similarly, some commentators argue that the emotion of detachment from all the associated sentiments and passions from the worldly desires as a stable emotion (nirveda) of this rasa, which ultimately leads to peace and tranquility. [14]
So the Rasa was a type of literature intended to be performed by pairs of females dancing and singing in a circle. Tala Rasas were mostly played by females while Lakuta Rasas were mostly played by males. The form is somewhat similar to Rasa dance played in Rasa lila. [3] [1] [2] [4] As the early Rasas were intended to be performed, they were ...