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"You Got Nothing I Want" is a 1981 single from Australian rock band Cold Chisel, the first released from the album Circus Animals. One of the band's heaviest and most aggressive songs, which was written by singer Jimmy Barnes in response to the treatment they received at the hands of a record company executive during a U.S. tour earlier in the year.
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An answer to the song, titled, "Mrs. Jones, Your Son Gives Up Too Easy," was released on the Recording Industries (RIC) label as a single in 1965, performed by a group named Lynn and the Mersey Maids. 1965 also saw the release of "Mrs. Schwartz, You've Got An Ugly Daughter" by Marty And The Monks on Era Records.
Cover depicts: Darlene Zschech (main image), Reuben Morgan, Marty Sampson, Joel Houston, Annie Garratt, Rolf Wam Fjell, Matthew Tennikoff and Jonathan Douglass; Musicians. Nigel Hendroff – electric guitar; Matthew Tennikoff – bass guitar; Jad Gillies – guitar acoustic, electric; Roma Kasevich - electric guitar; Raymond Badham – electric ...
During the 4 months of the contest, Marty converted his $482,000 into $1.2 million, generating a return of 254.9 percent, barely higher than Frankie Joe's 251.5 percent. Finally, Martin Schwartz had achieved first place, he was the undisputed King of Trading, a title that he won again in the fourth year with a 443.7 percent profitability.
His guitar instructor was Bill Frisell. In the late 1960s, Vaughan played in a number of rock bands in the nearby Littleton, Colorado, area (where he lived), including a progressive rock group called Amos. Soon after, Vaughan joined a local progressive jazz band, and then began playing country music in local bars. [3]
Good Old War is made up of Keith Goodwin, Tim Arnold, and Dan Schwartz. The band's name comes from the last names of the three members; Goodwin Arnold Schwartz.The band was started in 2008 after Days Away (former band of Keith and Tim) went on hiatus; Schwartz previously played in Unlikely Cowboy. [2]
Scenes is the second studio album by guitarist Marty Friedman, released on November 17, 1992 through Shrapnel Records (United States) and Roadrunner Records (Europe). [1] It is a notable stylistic departure from Friedman's first album, Dragon's Kiss (1988), as well as his heavier work with Cacophony and Megadeth, in that it predominantly features mellow, clean-tone playing instead of his usual ...