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The Ottoman Divan poetry tradition embraced the influence of the Persian and, to a lesser extent, Arabic literatures. As far back as the pre-Ottoman Seljuk period in the late 11th to early 14th centuries CE, this influence was already being felt: the Seljuks conducted their official business in the Persian language, rather than in Turkish, and the poetry of the Seljuk court was highly ...
Ottoman Divan poetry was a highly ritualized and symbolic art form. From the Persian poetry that largely inspired it, it inherited a wealth of symbols whose meanings and interrelationships—both of similitude (مراعات نظير mura'ât-i nazîr / تناسب tenâsüb ) and opposition (تضاد tezâd )—were more or less prescribed.
This is a list of poets who wrote under the auspices of the Ottoman Empire, or — more broadly — who wrote in the tradition of Ottoman Dîvân poetry. Male poets [ edit ]
There were a number of poetic trends in the poetry of Turkey in the early years of the Republic of Turkey.Authors such as Ahmed Hâşim and Yahyâ Kemâl Beyatlı (1884–1958) continued to write important formal verse whose language was, to a great extent, a continuation of the late Ottoman tradition.
Riyazi (c. 1572 or 1573 –1644), also known as Riyazî Mehmet Efendi was an Ottoman poet and bibliographer. His Riyazü'ş Şuara tezkire (bibliographical dictionary of poets and poetry), is the seventh of its kind in Ottoman history and is of great importance. Riyazi is considered the last of a group of bibliographers who tried to cover the ...
Early Ottoman prose, before the 19th century CE, never developed to the extent that the contemporary Divan poetry did. A large part of the reason for this was that much prose of the time was expected to adhere to the rules of seci, or rhymed prose, a type of writing descended from Arabic literature and which prescribed that between each adjective and noun in a sentence, there must be a rhyme.
Bâkî lived during the height of the Ottoman Empire, and this affected his poetry greatly. Love, the joy of living, and nature are the primary subjects of his poems. Although almost no Sufi influence is found in his poetry—as it is in many other Ottoman-era poets—his concept of love as revealed in his poetry was not entirely divorced from the Sufi concept t
It narrated the work and life of 241 poets and was very well received and supported by the Ottoman high social circles. [ 2 ] A distinguished tezkire is the Tezkiretü'ş-Şuara (Memoirs of the Poets) of Latifî of Kastamonu (1491-1582), the second in chronology [ 6 ] and is the one with most extant copies (91). [ 2 ]