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His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. [2] [3] [4] Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as ...
At the height of his popularity in Rome during the late 1590s and early 1600s, Caravaggio's dramatic new style influenced many of his peers in the Roman art world. The first Caravaggisti included Mario Minniti, Giovanni Baglione (although his Caravaggio phase was short-lived), Leonello Spada and Orazio Gentileschi.
Basket of Fruit, c. 1595–1596, oil on canvas, Pinacoteca Ambrosiana, Milan. Caravaggio (Michelangelo Merisi or Amerighi) was born in Milan, where his father, Fermo (Fermo Merixio), was a household administrator and architect-decorator to the marquess of Caravaggio, a town 35 km (22 mi) to the east of Milan and south of Bergamo. [7]
A number of paintings have been attributed from time to time to the Italian artist Michelangelo Merisi da Caravaggio (1571–1610), but are no longer generally accepted as genuine. Immensely popular in his own lifetime, he fell into neglect almost immediately upon his death, with the result that now, four hundred years later, it is often ...
Paintings by the Italian Baroque artist, Caravaggio. Subcategories. This category has only the following subcategory. M. Mythological paintings by Caravaggio (6 P)
The paintings in the Contarelli Chapel form a group of three large-format canvases painted by Caravaggio between 1599 and 1602, initially commissioned by Cardinal Matteo Contarelli for the Church of St. Louis of the French (San Luigi dei Francesi) in Rome, and eventually honored after his death by his executors.
The Utrecht Caravaggisti painted mainly history paintings and genre scenes. They broke with the dominant Northern Mannerism previously in favour in the Dutch Republic, preferring a heightened realism borrowed from Caravaggio. Their works were characterized by a direct and lifelike representation of figures in powerful compositions.
[3] [2] The painting is about 2.7 metres high and two metres wide. [4] On the night of 17–18 October 1969, [5] two thieves stole the painting from its home in the Oratory of Saint Lawrence in Palermo. [4] They cut the painting from its frame, [2] [4] and also took a carpet from the oratory which authorities believe was used to roll up the ...