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"I'll Take You Home Again, Kathleen" is a traditional pop song written by Thomas Paine Westendorf (1848–1923) in 1875. (The music is loosely based on Felix Mendelssohn's Violin Concerto in E Minor Opus 64 Second Movement).
The song bears a resemblance to, and is perhaps influenced by, the W. H. Auden poem As I Walked Out One Evening, including sharing the same iambic meter and quatrain form. [6] The first line also bears resemblance to the folk song Lolly Tudum , which begins "as I went out one morning to breathe the pleasant air", popularized in the New York ...
Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
Paine's death mask This plaque hangs on the site where Thomas Paine died, on Grove Street in Greenwich Village. On the morning of June 8, 1809, Paine died, aged 72, at 59 Grove Street in Greenwich Village, New York City. [111] Although the original building no longer exists, the present building has a plaque noting that Paine died at this ...
Jan Kochanowski with his dead daughter in a painting by Jan Matejko inspired by the poet's Threnodies. A threnody is a wailing ode, song, hymn or poem of mourning composed or performed as a memorial to a dead person.
An Appointment with Mr Yeats" by The Waterboys is an album of Yeats poems set to song. The poem "Down by the Salley Gardens" was based by Yeats on a fragment of a song he heard an old woman singing. Yeats' words have been recorded as a song by many performers. The song "A Bad Dream" by Keane is based on the poem "An Irish Airman Foresees His ...
A signature song may be a song that spearheads an artist's initial mainstream breakthrough, a song that revitalizes an artist's career, or a song that simply represents a high point in an artist's career. Often, a signature song will feature significant characteristics of an artist and may encapsulate the artist's particular sound and style.
The Crisis series appeared in a range of publication formats, sometimes (as in the first four) as stand-alone pamphlets and sometimes in one or more newspapers. [9] In several cases, too, Paine addressed his writing to a particular audience, while in other cases he left his addressee unstated, writing implicitly to the American public (who were, of course, his actually intended audience at all ...