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The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου). Its Western name derives from the incipit of its Latin text.
The Song was accepted into the Jewish canon of scripture in the 2nd century CE, after a period of controversy in the 1st century. This period of controversy was a result of many rabbis seeing this text as merely "secular love poetry, a collection of love songs gathered around a single theme", [35] and thus not worthy of canonization. In fact ...
The most complete text of the Gospel of Mary is contained in the Berlin Codex, but even so, it is missing six manuscript pages at the beginning of the document and four manuscript pages in the middle. [17] As such, the narrative begins in the middle of a scene, leaving the setting and circumstances unclear.
The original icon of Axion Esti, in Protaton Church, in Mount Athos.. Axion estin (Greek: Ἄξιόν ἐστίν, Slavonic: Достóйно éсть, Dostóino yesť), or It is Truly Meet, is a pair of hymns to the Virgin Mary used in the Divine Services of the Eastern Orthodox and Byzantine Catholic churches, consisting of a magnification [1] and a theotokion.
The service has been recorded several times, [5] including a 1988 collection The Music of St. Paul's Cathedral, performed by the cathedral choir conducted by John Scott with organist Christopher Dearnley, [6] and a 1997 overview of ten settings of Magnificat and Nunc dimittis by English composers, performed by the Choir of York Minster conducted by Philip Moore and with organist John Scott ...
In the Gloucester Service, both canticles are set as one movement, with slight changes in tempo, and changes of key and time, to interpret the text. The Magnificat begins, marked "Con moto piacevole", with the sopranos alone, while the organ supplies a steady slow foundation of chords in halfnotes, and plays the melody after the voices in canon ...
Peter Canisius (d. 1597) noted that one praises God in Mary when one turns to her in song. [2] Liturgically, the Salve Regina is the best known of four prescribed Marian Anthems recited after Compline, and, in some uses, after Lauds or other Hours. [ 3 ]
Chant notation of the "Regina caeli" antiphon in simple tone "Regina caeli" (Ecclesiastical Latin: [reˈdʒina ˈtʃeli]; Queen of Heaven) is a musical antiphon addressed to the Blessed Virgin Mary that is used in the liturgy of the Roman Rite of the Catholic Church during the Easter season, from Easter Sunday until Pentecost.