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Anapaest–A three-syllable metrical pattern in poetry in which two unstressed syllables are followed by a stressed syllable. Dactyl–A three-syllable metrical pattern in poetry in which a stressed syllable is followed by two unstressed syllables. Spondee–A beat in a poetic line that consists of two accented syllables. It is a poetic form ...
The process of determining which syllables are long and which are short, and showing how the words of a poem match a metrical pattern, is known as scansion. The above line of Virgil is scanned as follows, where – represents a long syllable, and ᴗ a short one: – – | – ᴗ ᴗ | – – | – – | – ᴗ ᴗ | – –
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse.Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “A Boat beneath a Sunny Sky” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic. Slam; Sound; Spoken-word; Verbless poetry: a poem ...
The names of the metrical families come from the names of the cola or feet in use, such as iambic, trochaic, dactylic and anapaestic meters. Sometimes meter is named after the subject matter (as in epic or heroic meter), sometimes after the musical instrument that accompanied the poetry (such as lyric meter, accompanied by the lyre ), and ...
Lines composed of the same number of syllables with division in different place are considered to be completely different metrical patterns. For example, Polish alexandrine (13) is almost always divided 7+6. It has been very common in Polish poetry for last five centuries. But the metre 13(8+5) occurs only rarely and 13(6+7) can be hardly found.
Most hymnals include a metrical index of the book's tunes. A hymn may be sung to any tune in the same metre, as long as the poetic foot (such as iambic, trochaic) also conforms. All metres can be represented numerically, for example "Abide With Me" which is 10.10.10.10. Some of the most frequently encountered however are instead referred to by ...
In every type of literature there is a metrical pattern that can be described as "basic" or even "national" [dubious – discuss]. The most famous and widely used line of verse in English prosody is the iambic pentameter, [7] while one of the most common of traditional lines in surviving classical Latin and Greek prosody was the hexameter. [8]