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While the word ragtime was first known to be used in 1896, the term probably originates in the dance events hosted by plantation slaves known as “rags”. [4] The first recorded use of the term ragtime was by vaudeville musician Ben Harney who in 1896 used it to describe the piano music he played (which he had extracted from banjo and fiddle players).
Ragtime shared similarities with both blues and jazz, the two rival forms of African-American music at the time. It was primarily piano-based, and could be performed by a single person (more like the blues) or by an entire orchestra (more like jazz). Scott Joplin was the most famous ragtime musician.
Blues musical styles, forms (12-bar blues), melodies, and the blues scale have influenced many other genres of music, such as rock and roll, jazz, and popular music. [127] Prominent jazz, folk or rock performers, such as Louis Armstrong , Duke Ellington , Miles Davis , and Bob Dylan have performed significant blues recordings.
Blues dancing originated in the dances brought to America by enslaved Africans, who followed sub-Saharan African music traditions.There is no documented evidence across the history of pre-colonial sub-Saharan African dance for sustained one-on-one mixed-gender partnered dancing; African cultures apparently considered this type of dancing to be inappropriate.
In the 1910s and 1920s Tin Pan Alley published pop songs and dance numbers created in newly popular jazz and blues styles. Tin Pan Alley also acted as another approach to modernism . This can be seen in the use of certain influences such as, "a vernacular African-American impact coming from ragtime, 'coon' songs, the blues and jazz", as well as ...
The upper class even became more accepting of dance music that began in lower classes. An example of this is ragtime dance and music. Ragtime had a "lively, infectious new sound". [1] Some other forms of dancing that made a huge impact were jazz and swing dance. These dances are both energetic and had their own personality and culture.
The historian Sylviane Diouf and ethnomusicologist Gerhard Kubik identify Islamic music as an influence on blues music. [11] [12] Diouf notes a striking resemblance between the Islamic call to prayer (originating from Bilal ibn Rabah, a famous Abyssinian African Muslim in the early 7th century) and 19th-century field holler music, noting that both have similar lyrics praising God, melody, note ...
The dirty blues are good for dancing the slow drag, [15] while hokum, with its bouncy, ragtime-influenced [16] songs is intended for more lively dance style typical for the "mischievous branch" of music (similar to lundu, maxixe, xote, or samba). [15]