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Festus Claudius "Claude" McKay OJ (September 15, 1890 [1] – May 22, 1948) was a Jamaican-American writer and poet. He was a central figure in the Harlem Renaissance.. Born in Jamaica, McKay first travelled to the United States to attend college, and encountered W. E. B. Du Bois's The Souls of Black Folk which stimulated McKay's interest in political involvement.
Among the many recipients of the awards in literature and the fine arts were Claude McKay, Hale Woodruff, Palmer Hayden, Archibald Motley (his winning piece was The Octoroon Girl), Countee Cullen and Langston Hughes. The awards were closely associated with an annual Exhibition of the Work of Negro Artists, conceived by Mary Brady.
Richard Bruce Nugent (July 2, 1906 – May 27, 1987), aka Richard Bruce and Bruce Nugent, was an American gay writer and painter in the Harlem Renaissance.Despite being a part of a group of many gay Harlem artists, Nugent was among the handful who were publicly out.
The Harlem Renaissance, also known as the New Negro Movement, was a cultural, social, and artistic explosion centered in Harlem, New York, and spanning the 1920s. This list includes intellectuals and activists, writers, artists, and performers who were closely associated with the movement.
Claude McKay, Harlem Shadows; Hughes Mearns, Antigonish, often called "The Little Man Who Wasn't There"; inspired by reports of a ghost of a man roaming the stairs of a haunted house in Antigonish, Nova Scotia; written in 1899 and first published on March 22 by Franklin Pierce Adams in his New York World column; later a popular song
Although awards were created in eight categories, it is best known for its recognition of African-American art of the Harlem Renaissance, and particularly of the visual arts. [ 2 ] A description of the bronze medal won by A.M.E. Bishop John Fletcher Hurst in 1926 appeared in the January 8, 1927, edition of the Afro-American , published in ...
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The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]