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The initial standard was A = 439 Hz ⓘ, but this was superseded by A = 440 Hz, possibly because 439 Hz was difficult to reproduce in a laboratory since 439 is a prime number. [ 22 ] In 1964, of 31 top professional U.S. orchestras, 19 were tuning at 440, the others at 441 or 442. [ 23 ]
In the period instrument movement, a consensus has arisen around a modern baroque pitch of 415 Hz (with 440 Hz corresponding to A ♯), a 'baroque' pitch for some special church music (in particular, some German church music, e.g. the pre-Leipzig period cantatas of Bach) [10] known as Chorton pitch at 466 Hz (with 440 Hz corresponding to A ...
Scientific pitch, also known as philosophical pitch, Sauveur pitch or Verdi tuning, is an absolute concert pitch standard which is based on middle C (C 4) being set to 256 Hz rather than ~ 261.63 Hz, [a] making it ~ 31.77 cents lower than the common A440 pitch standard.
The predecessor of today's six-string classical guitar was the five-string baroque guitar tuned as the five high strings of a six-string guitar with the A raised one octave. High C – E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a six-string bass guitar, minus the low B.
To build chords, Fripp uses "perfect intervals in fourths, fifths and octaves", so avoiding minor thirds and especially major thirds, [64] which are slightly sharp in equal temperament tuning (in comparison to thirds in just intonation). It is a challenge to adapt conventional guitar-chords to new standard tuning, which is based on all-fifths ...
Music prior to the classical era was often composed for performance on various combinations of instruments, and could be adapted by the performer to keyboard instruments, the lute, or the guitar. Since the beginning of the 20th century, however, a significant amount of music has been written for the guitar by non-guitarist composers.
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The classical guitar vibrato is executed by rocking the tip of the left-hand finger(s) back and forth horizontally within the same fret space (i.e. along the string axis, and not across it as for a vertical "bend" in rock or blues music) producing a subtle variation in pitch, both sharper and flatter than the starting note, without noticeably ...