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A longer-lasting 6th century Ionic temple was the Temple of Artemis at Ephesus, one of the Seven Wonders of the Ancient World. The Parthenon, although it conforms mainly to the Doric order, also has some Ionic elements. A more purely Ionic mode to be seen on the Athenian Acropolis is exemplified in the Erechtheum.
The Temple of Olympian Zeus, Athens, (174 BC–132 AD), with the Parthenon (447–432 BC) in the background. This list of ancient Greek temples covers temples built by the Hellenic people from the 6th century BC until the 2nd century AD on mainland Greece and in Hellenic towns in the Aegean Islands, Asia Minor, Sicily and Italy ("Magna Graecia"), wherever there were Greek colonies, and the ...
The heaviest orders were at the bottom, whilst the lightest came at the top. This means that the Doric order was the order of the ground floor, the Ionic order was used for the middle story, while the Corinthian or the Composite order was used for the top story. The Giant order was invented by architects in the Renaissance. The Giant order is ...
Egg-and-dart molding at the top of an Ionic capital at the Jefferson Memorial. Egg-and-dart, also known as egg-and-tongue, egg-and-anchor, or egg-and-star, [1] is an ornamental device adorning the fundamental quarter-round, convex ovolo profile of moulding, consisting of alternating details on the face of the ovolo—typically an egg-shaped object alternating with a V-shaped element [1] (e.g ...
A century later, in the temple on the Ilissus, the abacus has become square (See the more complete discussion at Ionic order). According to the Roman architect Vitruvius, the Ionic order's main characteristics were beauty, femininity, and slenderness, derived from its basis on the proportion of a woman.
In contrast, from an early point, Ionic temples stress the front by using double porticos. Elongated peristaseis became a determining element. At the same time, the Ionic temples were characterised by their tendency to use varied and richly decorated surfaces, as well as the widespread use of light-shade contrasts.
Triglyph centered over the last column in the Roman Doric order of the Theater of Marcellus John Wood's The Circus Bath, Somerset (1754), triglyphs and decorated metopes Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture , so called because of the angular channels in them.
Ionic columns are used behind them in the side spaces, in a mirror position relative to the Corinthian or Composite orders (as was their fate well into the 19th century, when buildings were designed for the first time with a monumental Ionic order). At Hagia Sophia, though, these are not the standard imperial statements.