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The iconography of Michael slaying a serpent goes back to the early 4th century, when Emperor Constantine defeated Licinius at the Battle of Adrianople in 324 AD, not far from the Michaelion, a church dedicated to Archangel Michael. [3]
Michael, [Notes 1] also called Saint Michael the Archangel, Archangel Michael and Saint Michael the Taxiarch [6] is an archangel in Christianity, Judaism, ...
Saint Anthony Abbot and Michael the Archangel; Saint John the Evangelist and Michael the Archangel; Saint Michael (Beccafumi, 1526-1535) Saint Michael (Giordano) Saint Michael (Raphael) Saint Michael Defeats the Rebel Angels (Beccafumi) San Ruffillo Madonna; Santa Margherita Madonna; Saint Peter Martyr Altarpiece
St Michael Cornhill War Memorial; Saint Michael Fighting the Dragon; Saint Michael in the Catholic Church; Saint Michael's line; San Miguel Arcángel Fountain (Cholula) San Miguel Arcángel Fountain (Puebla) Sanctuary of Monte Sant'Angelo; Scapular of Saint Michael the Archangel; Skellig Michael; St Michael's Victory over the Devil; St. Michael ...
The materials used for The Archangel Michael were tempera and gold leaf on wood panel. The height of the painting is 76 cm (29.92 in) and the width is 54.3 cm (21.37 in). The work of art follows the traditional maniera greca but the style is far more advanced than Byzantine and Cretan
Archangel Michael fights the devil and the Virgin of the Assumption of the Angels is an oil painting on canvas (243x166 cm) of Dosso Dossi and Battista Dossi, dated to about 1533 to 1534 and preserved at the Galleria nazionale di Parma.
The tattoo she gave me is, these days, her signature design: three simple dots. With her fading eyesight and the volume of daily customers, Whang-Od has had to simplify her tattoos in order to see ...
The Archangel Michael (13th century icon). The Archangel Michael is a 13th-century icon, originating in a church dedicated to its subject (Archangel Michael) near the river Kotorosl in Iaroslavl in Russia – that church was built in 1216 by grand prince Constantin Vladimirski and restored in 1300 by princess Anne, wife of Theodore the Black.