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The six-part fugue in the "Ricercar a 6" from The Musical Offering, in the hand of Johann Sebastian BachIn classical music, a fugue (/ f juː ɡ /, from Latin fuga, meaning "flight" or "escape" [1]) is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches ...
Cantiga – Monophonic song of Spanish or Portuguese origin, often about religious themes or courtly love. Conductus – Latin sacred song, monophonic or polyphonic non-liturgical vocal composition. Descant – Form where one singer performed a fixed melody while others improvised harmonious and melodically independent lines.
Prelude and Fugue in C Minor, BWV 847, is a keyboard composition written by Johann Sebastian Bach. It is the second prelude and fugue in the first book of The Well-Tempered Clavier , a series of 48 preludes and fugues by the composer.
The Toccata (as a prelude) is proportionally the largest of all Bach's works in the format of prelude-fugue. It is often treated as a show piece, with the ensuing fugue omitted. The Toccata's rhythmic signature suggests a passepied or a musette, although the large scale of the movement does not support these characterizations.
A prelude and fugue is a musical form generally consisting of two movements in the same key for solo keyboard. In classical music , the combination of prelude and fugue is one with a long history. Many composers have written works of this kind.
The fugue's four-and-a-half measure subject in G minor is one of Bach's most recognizable tunes. The fugue is in four voices. During the episodes, Bach uses one of Arcangelo Corelli's most famous techniques: imitation between two voices on an eighth note upbeat figure that first leaps up a fourth and then falls back down one step at a time. [2]
The first page of J. S. Bach's Toccata and Fugue in D minor, BWV 565. Toccata (from Italian toccare, literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally ...
The Grosse Fuge (German: Große Fuge, also known in English as the Great Fugue or Grand Fugue), Op. 133, is a single-movement composition for string quartet by Ludwig van Beethoven. An immense double fugue , it was universally condemned by contemporary music critics.