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Pages in category "Paintings based on the Book of Revelation" The following 17 pages are in this category, out of 17 total. This list may not reflect recent changes. A.
[81] Paul identifies the worship of created things (rather than the Creator) as the cause of the disintegration of sexual and social morality in his letter to the Romans. [9] The apostle Peter and the Book of Revelation also refer to the connection between the worship of other gods and sexual sins, whether metaphorically or literally. [82]
The Book of Revelation or Book of the Apocalypse is the final book of the New Testament (and therefore the final book of the Christian Bible). Written in Koine Greek, its title is derived from the first word of the text: apokalypsis, meaning 'unveiling' or 'revelation'. The Book of Revelation is the only apocalyptic book in the New Testament canon.
The “Sealed Book” is the book of divorcement sent to the Jewish nation from God. [ 13 ] Isaac Williams (19th century) associated the first six Seals with the discourse on the Mount of Olives and stated that, “The seventh Seal contains the Seven Trumpets within it… the judgments and sufferings of the Church.” [ 14 ]
The Book of Revelation belongs to the biblical texts whose interpretation has always posed many challenges, leading to the development of various interpretative systems. Ancient Eastern exegesis was prophetic in nature and favored allegorical interpretations.
The Greek word apsinthos, which is rendered with the English "wormwood", [3] is mentioned only once in the New Testament, in the Book of Revelation: The third angel blew his trumpet, and a great star fell from heaven, blazing like a torch, and it fell on a third of the rivers and on the springs of water. The name of the star is Wormwood.
Illustration from the Bamberg Apocalypse of the Son of Man among the seven lampstands The Vision of John on Patmos by Julius Schnorr von Carolsfeld (1860). John's vision of the Son of Man, also known as John’s Vision of Christ, is a vision described in the Book of Revelation (Revelation 1:9–20) in which the author, identified as John, sees a person he describes as one "like the Son of Man" ().
On Folio 27v of the Bamberg Apocalypse is the first full depiction of Revelation 11 with a narrative divided into three key scenes. The figures on the top preach as the beast attacks two witness that then get resurrected on the bottom right register. The Bamberg Apocalyse is the only extant illustrated Ottonian Apocalypse manuscript. [3]