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  2. Timbre - Wikipedia

    en.wikipedia.org/wiki/Timbre

    In music, timbre (/ ˈtæmbər, ˈtɪm -, ˈtæ̃ -/), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different ...

  3. Klangfarbenmelodie - Wikipedia

    en.wikipedia.org/wiki/Klangfarbenmelodie

    Klangfarbenmelodie. Klangfarbenmelodie (German for "sound-color melody") is a musical technique that involves splitting a musical line or melody between several instruments, rather than assigning it to just one instrument (or set of instruments), thereby adding color (timbre) and texture to the melodic line. The technique is sometimes compared ...

  4. Texture (music) - Wikipedia

    en.wikipedia.org/wiki/Texture_(music)

    Texture (music) Way in which tempo, melody, and harmony are combined in a musical composition. Introduction to Sousa 's "Washington Post March", mm. 1–7 features octave doubling [1] and a homorhythmic texture. In music, texture is how the tempo and the melodic and harmonic materials are combined in a musical composition, determining the ...

  5. Timbre composition - Wikipedia

    en.wikipedia.org/wiki/Timbre_composition

    Timbre composition is the art of creating new timbres. It is often performed electronically, either by combining sine waves ( additive synthesis) or by filtering out harmonics from more complex waves ( subtractive synthesis ). Timbre composition is also significant for players of the electric guitar. The guitarist's relative proximity to his or ...

  6. Timbral listening - Wikipedia

    en.wikipedia.org/wiki/Timbral_listening

    The composition of timbre-centered music in the nomadic communities of Tuva involves mimicry of sounds heard in the environment. Timbral listening is a fundamental component of listening to, understanding and being able to correctly perform this music using vocal techniques such as throat singing "khoomei" and harmonic producing instruments such as the jaw harp, bzaanchy, shoor, qyl qiyak, qyl ...

  7. Additive synthesis - Wikipedia

    en.wikipedia.org/wiki/Additive_synthesis

    The overtones of a piano playing middle C will be quite different from the overtones of a violin playing the same note; that's what allows us to differentiate the sounds of the two instruments. There are even subtle differences in timbre between different versions of the same instrument (for example, an upright piano vs. a grand piano).

  8. Violin acoustics - Wikipedia

    en.wikipedia.org/wiki/Violin_acoustics

    Violin. Violin acoustics is an area of study within musical acoustics concerned with how the sound of a violin is created as the result of interactions between its many parts. These acoustic qualities are similar to those of other members of the violin family, such as the viola. The energy of a vibrating string is transmitted through the bridge ...

  9. Violin technique - Wikipedia

    en.wikipedia.org/wiki/Violin_technique

    A man playing the violin. It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest. If held properly under the chin, the violinist can let go of the instrument ...