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The 13 small [1] stained-glass panels depict scenes from the story of Sir Tristram and la Belle Isoude as told in Sir Thomas Malory's Morte d'Arthur. [2] [3] [4] They were commissioned by Walter Dunlop, a Bradford textile merchant, for a new music room to be built at Harden Grange, his house near Bingley, Yorkshire, and were designed and executed in 1862 by Morris, Marshall, Faulker & Co., the ...
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
In 1949, the panels were acquired by Richard King and placed into storage until they were acquired in the late 1970s by the Hugh Lane Gallery for IR£20,000. [45] 1930 Mr. Gilhooley Based on a work of the same name by Liam O'Flaherty. It is the original panel from the Geneva Window, but a second panel was made due to a crack in the figure's ...
Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.
The Flamboyant windows gradually abandoned mosaic-like appearance of the early stained glass windows, and came more and more to resemble paintings. [ 21 ] One distinctive feature of the flamboyant was a curvilinear design of the stone mullions within the arched top of windows which, with some imagination, resembled flames agitated by the wind.