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Song about the battle of Ciudad Juarez title Toma de Ciudad Juárez. In the Mestizo-Mexican cultural area, the three variants of corrido (romance, revolutionary and modern) are both alive and sung, along with popular sister narrative genres, such as the "valona" of Michoacán state, the "son arribeño" of the Sierra Gorda (Guanajuato, Hidalgo and Querétaro states) and others.
The Billboard Regional Mexican Songs is a subchart of the Latin Airplay chart that ranks the best-performing songs on Regional Mexican radio stations in the United States. . Published weekly by Billboard magazine, it ranks the "most popular regional Mexican songs, ranked by radio airplay audience impressions as measured by Nielsen Mu
A narcocorrido (Spanish pronunciation: [naɾkokoˈriðo], "narco-corrido" or drug ballad) is a subgenre of the Regional Mexican corrido (narrative ballad) genre, from which several other genres have evolved. This type of music is heard and produced on both sides of the Mexico–US border. It uses a danceable, polka, waltz or mazurka rhythmic base.
"La Adelita" is one of the most famous corridos of the Mexican Revolution. Over the years, it has had many adaptations. The ballad was inspired by Adela Velarde Pérez, a Chihuahuense woman who joined the Maderista movement in the early stages of the revolution and fell in love with Madero. She became a popular icon and a symbol of the role of ...
California-based Eslabon Armado had no shortage of swooning love songs before landing its first No. 1 on the Billboard Global 200, a fluttering, brassy regional Mexican ballad whose title ...
The song "Qué Te Pasa" by Mexican singer Yuri spent 16 weeks at number one in 1988, becoming the longest-running chart topper of the 1980s, followed by fellow Mexican performer Ana Gabriel, who spent 14 weeks (in two separate runs) at the top with her single "Ay Amor". [9]
La Cucaracha (Spanish pronunciation: [la kukaˈɾatʃa], "The Cockroach") is a popular folk song about a cockroach who cannot walk. The song's origins are Spanish, [1] but it became popular in the 1910s during the Mexican Revolution. [2] The modern song has been adapted using the Mexican corrido genre. [2]
Younger Mexican composers emerged, including Carlos Chávez, Silvestre Revueltas, and Luis Sandi, who developed Mexican "art music." Chávez was a prolific composer and one who embraced creating Mexican orchestral music drawing on revolutionary corridos, and composed an Aztec-themed ballet. He became the director of the National Conservatory of ...