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The Stroll was both a slow rock 'n' roll dance [1] and a song that was popular in the late 1950s. [2] Billboard first reported that "The Stroll" might herald a new dance craze similar to the "Big Apple" in December 1957. [3] [4] In the dance two lines of dancers, men on one side and women on the other, face each other, moving in place to the music.
As the pop music market exploded in the late 1950s, dance fads were commercialized and exploited. From the 1950s to the 1970s, new dance fads appeared almost every week. Many were popularized (or commercialized) versions of new styles or steps created by African-American dancers who frequented the clubs and discothèques in major U.S. cities ...
The local popularity of the dance and record in Baltimore, Maryland, came to the attention of the producers of The Buddy Deane Show in 1960, which led to other dance shows picking it up. [2] The Madison is a line dance that features a regular back-and-forth pattern interspersed with called steps. Its popularity inspired dance teams and ...
"The Stroll" is a song written by Nancy Lee and Clyde Otis and performed by The Diamonds. It reached No. 1 on the Cashbox chart, [1] #4 on the U.S. pop chart, and #5 on the U.S. R&B chart in 1958.
During the 1950s and 1960s, the "Brothers" appeared on The Ed Sullivan Show, the ABC variety program The Guy Mitchell Show, on Bob Hope specials, and in telecasts featuring Dean Martin and Jerry Lewis, Perry Como and Steve Allen. [4] The Four Step Brothers became one of the longest-lasting dance groups, surviving for more than four decades into ...
WTTG launched Milt Grant's Record Hop on July 22, 1956, with WOL simulcasting the television station's audio. [8] Grant's show, which had added support of area police and civic organizations as a "constructive approach" against juvenile delinquency, [9] originated from a ballroom at the Raleigh Hotel [1] six days a week (weekday afternoons at 5 p.m. and noon on Saturdays). [10]
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According to Levon Helm, drummer and singer for The Band, traveling medicine shows and music shows such as F. S. Wolcott's Original Rabbit's Foot Minstrels, established in 1911 and featuring African-American blues singers and dancers, would put on titillating performances in rural areas: "After the finale, they'd have the midnight ramble," Helm told Martin Scorsese in The Last Waltz.