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Dun dun duuun! is a short three-chord musical phrase, or "sting", widely used in movies and television to indicate a moment of suspense. In modern productions it is often used as a joke effect or to invoke a nostalgic feeling. There are three main variations of the sting.
The audio used in Dramatic Chipmunk - sometimes known as the "Dun dun duuun!" sting - is taken from the score of the 1974 Mel Brooks film Young Frankenstein, [6] which was composed by two-time Oscar nominee (and longtime Brooks collaborator) John Morris, and orchestrated by Morris and EGOT recipient Jonathan Tunick. [7] [8] [9]
In April 2021, the developers announced plans to launch a Kickstarter project later in the month to turn the demo into a full game. [12] On April 18, a Kickstarter project for the full version of the game was released under the name Friday Night Funkin': The Full Ass Game and reached its goal of $60,000 within hours. [18]
Composer Mike Post created the iconic "dun-dun" sound heard on "Law & Order" shows like the original, "SVU" and "Organized Crime" after Dick Wolf asked him to.
The music video teaser of "Dun Dun Dance" was released on May 9. [20] The album was released on May 10, in both CD and digital formats. [21] [22] A music video for "Dun Dun Dance" was released the same day. [23] The video features Oh My Girl dancing to the track on an open green field and has a sci-fi-inspired theme. [24]
[2] Concept images were released between January 22–24. [3] The tracklist was released on January 25, revealing four tracks: "Salute", lead single "Dun Dun", "Player" and "No Lie". [4] The music video teaser for "Dun Dun" was released on January 29, [5] and the full music video on February 3. [6]
"Dunn Dunn" is a song by American rapper Shawty Lo of southern hip hop group D4L, released on February 22, 2008, as the second single from his debut solo album, Units in the City (2008). The single, which was produced by Teriyakie Smith and Cory Way, [ 1 ] was preceded by " Dey Know " and followed by " Foolish ".
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...