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Vietnamese pottery and ceramics has a long history spanning back to thousands of years ago, including long before Chinese domination, as archeological evidence supports. Much of Vietnamese pottery and ceramics after the Chinese-domination era was largely influenced by Chinese ceramics , but has developed over time to be distinctly Vietnamese. [ 1 ]
The village is located in an area rich in clay suitable for making ceramic. Bát Tràng ceramics are considered some of the best known porcelain products in Vietnam besides those of Chu Đậu, Biên Hòa, Phù Lãng, Hương Canh, Lái Thiêu and Bầu Trúc. The history of ceramic making in this village can be traced back as far as the 14th ...
Bát Tràng (literally: bát is bowl and tràng is workshop) is an old, well established village in the Gia Lâm district of Hanoi, the capital city of Vietnam. It is about 13 km from central Hanoi. Bát Tràng is known throughout Vietnam for producing a unique style of ceramics called Bát Tràng Porcelain.
The museum covers three three-floor buildings which house a collection featuring Vietnamese art works in sculpture, oil, silk painting and lacquer painting, as well as traditional styles including woodcut paintings in the Hàng Trống, Đông Hồ, and Kim Hoàng styles, as well as Vietnamese ceramics and a collection of ancient Buddhist art. [1]
Vietnamese literature, both oral and written, was created largely by Vietnamese-speaking people, although Francophone Vietnamese and English-speaking Vietnamese authors in Australia and the United States are considered by many critics as part of the national tradition.
Brother Thomas Bezanson (August 5, 1929 – August 16, 2007) was a Canadian-born artist and Benedictine monk primarily known for his porcelain pottery and mastery of complex glazes. Strongly influenced by Asian pottery, often adapting traditional Chinese and Japanese pottery methods and materials to his work.
Soraya Hannah Yousefi didn’t kick off her career with an internship or an entry level position; she began with a box of air dry clay and an Instagram account.
Chu Đậu village in Hải Dương province was the major ceramic manufacturer [26] From 1436 to 1465, China’s Ming dynasty abruptly ceased trade with the outside world, creating a commercial vacuum that allowed Vietnamese blue-and-white ceramics to monopolize the markets for sometimes, especially in Maritime Southeast Asia.