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Makoma is a Christian, pop, R&B and dance musical group originating from Kinshasa, Democratic Republic of Congo (formerly Zaire) and established in the Netherlands.It is made up of 6 siblings (3 brothers and 3 sisters): Nathalie Makoma, Annie Makoma, Pengani Makoma, Tutala Makoma, Duma Makoma, Martin Makoma and a non-family member, Patrick Badine.
In the second album titled "Nzambe na ngai (Lingala: My God), he made his first appearance in the song Alléluia, composed by his father, Emmanuel Mbiye. Mbiye released his first solo single, "Chantant Alleluia" included in the album. It was composed by his father and featured his sister Lydie Mbiye and Mike Kalambay.
She will then develop the gospel style alongside Evangelist Debaba. She participates in the album of the brother Del (Musamaliya) then with Debaba himself and she releases the album Nazhirea, Who's that girl ?. In this album, is the song "Reconnaissance" that Marie Misamu known to the public of the DRC, Congo-Brazzaville and other countries.
Call it soukous, rumba, Zairois, Congo music, or kwassa-kwassa, the pop sound emanating from Congo's capital, Kinshasa has shaped modern African culture more profoundly than any other. Africa produces music genres that are direct derivatives of Congolese Soukous. Some of the African bands sing in Lingala, the main language in the DRC.
In 1994, Mike was baptized at the Cité Béthel Church of the Apostle Emmanuel Mbiye, Moise Mbiye's father at the age of 16. He started his musical career by singing in a youth church choir "Les étoiles de Louange" which literally means "The stars of Praise" where he met many future Congolese gospel singers including Moise Mbiye, Sandra Mbuyi and others too. [1]
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Samputu sings in six languages [2] (Kinyarwanda, Swahili, Lingala, Ganda, French and English) and in styles ranging from soukous, rhumba and reggae, to traditional Rwandan 5/8, Afrobeat, pygmy, and gospel. He combines unique musical traditions from all regions of Rwanda, among them, Intwatwa, Umushayayo, Imparamba, and Ikinimba.
In Australia this song was the seventh most used song by the beginning of 2007 [3] There have been many interpretations of the song by many artists in all styles: gospel, R&B, soul, rock, dance, reggae, hip hop, rap, soca, ska, punk, a cappella amongst others and has been translated to a number of languages and recorded in a number of countries.