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Byzantine Iconoclasm, Chludov Psalter, 9th century. [10]Christian worship by the sixth century had developed a clear belief in the intercession of saints. This belief was also influenced by a concept of hierarchy of sanctity, with the Trinity at its pinnacle, followed by the Virgin Mary, referred to in Greek as the Theotokos ("birth-giver of God") or Meter Theou ("Mother of God"), the saints ...
It is a unique monument of Byzantine art at the time of the Iconoclasm, one of only three illuminated Byzantine Psalters to survive from the 9th century. According to one tradition, the miniatures are supposed to have been created clandestinely, and many of them are directed against Iconoclasts.
Iconodulism (also iconoduly or iconodulia) designates the religious service to icons (kissing and honourable veneration, incense, and candlelight). The term comes from Neoclassical Greek εἰκονόδουλος (eikonodoulos) (from Greek: εἰκόνα – icon (image) + Greek: δοῦλος – servant), meaning "one who serves images (icons)".
In the Bronze Age, the most significant episode of iconoclasm occurred in Egypt during the Amarna Period, when Akhenaten, based in his new capital of Akhetaten, instituted a significant shift in Egyptian artistic styles alongside a campaign of intolerance towards the traditional gods and a new emphasis on a state monolatristic tradition focused on the god Aten, the Sun disk—many temples and ...
Byzantine philosophy refers to the distinctive philosophical ideas of the philosophers and scholars of the Byzantine Empire, especially between the 8th and 15th centuries. It was characterised by a Christian world-view, closely linked to Eastern Orthodox theology , but drawing ideas directly from the Greek texts of Plato , Aristotle , and the ...
Certain periods of Christian history have seen supporters of aniconism in Christianity, first with the movement of Byzantine Iconoclasm, in which Eastern Orthodox and Byzantine Emperors Michael II, as well as Theophilos, "banned veneration of icons and actively persecuted supporters of icons."
The accompanying catalogue pictures most of the exhibit’s objects in color and accompanying essay, many written by students. [2] These and the introductory essays serve a dual purpose, both the traditional function of an art catalogue as well as shedding light on the history of Byzantine women.
Saint Nicetas the Patrician (Greek: Νικήτας Πατρίκιος, romanized: Niketas Patrikios; 761/62 – 6 October 836) was a Byzantine monk and a fervent opponent of Byzantine Iconoclasm. He is usually identified with Nicetas Monomachos ( Νικήτας Μονομάχος ), a eunuch official and general from Paphlagonia active at the ...