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Landscape, New Zealand, Roland Hipkins, c.1935. Hipkins arrived in Napier in 1922, as one of a number of La Trobe artists brought to New Zealand to improve the teaching of art in the country; other artists who came under the scheme included Robert Nettleton Field, Christopher Perkins and Francis Shurrock. [4]
Robin White – New Zealand Painter. Martinborough, New Zealand: Alister Taylor. p. 102. ISBN 9781877385483. OCLC 973603346. Ian Wedde, 'Welcome to the South Pacific: Robin White, Richard Killeen and From Scratch', in How to be nowhere: Essays and texts 1971–1994, Wellington: Victoria University Press, 1995. ISBN 086473249X
Consequently, woodcut was the main medium for book illustrations until the late sixteenth century. The first woodcut book illustration dates to about 1461, only a few years after the beginning of printing with movable type, printed by Albrecht Pfister in Bamberg. Woodcut was used less often for individual ("single-leaf") fine-art prints from ...
George Woods (1898 – 4 April 1963) was a New Zealand draughtsman, illustrator, and artist. His works show the influence of Māori culture and the Pacific Islands; he had a reputation as an excellent colourist.
The New Zealand School of Māori Arts and Crafts (Te Ao Marama) was founded in 1926 by Āpirana Ngata, [2] then the Member of Parliament for Eastern Maori which included Rotorua. The school focused on teaching traditional Māori arts and crafts. Ngata believed that arts was vital to the rejuvenation of Māori culture.
"Country Croc 2" from the "One Woodcut a Week" project. Sean Starwars is a printmaker living and working in Laurel, Mississippi. He is a relief printmaking artist specializing in woodcut printmaking. Sean Starwars recently completed a project titled 'One Woodcut a Week" and is currently working on his new project 'One Woodcut a Day'.
Her work is included in the collections of the Seattle Art Museum, [4] the Auckland City Art Gallery, [5] the Nottingham City Museums and Galleries, [6] the Museum of New Zealand Te Papa Tongarewa, [7] the Victoria & Albert Museum, London [8] the Whitworth Art Gallery, Manchester and Manchester Art Gallery.
St Ives Harbour (circa 1905-1910), Lee's woodcut, printed in colours. Lee was a versatile artist in a wide range of media, oils, wood engraving and the woodcut, as well as etching, drypoint, aquatint, mezzotint and lithography. His work was popular during his lifetime, but lapsed into obscurity since his death.