Search results
Results From The WOW.Com Content Network
Seven Types of Ambiguity ushered in New Criticism in the United States. The book is a guide to a style of literary criticism practiced by Empson. An ambiguity is represented as a puzzle to Empson. We have ambiguity when "alternative views might be taken without sheer misreading." Empson reads poetry as an exploration of conflicts within the author.
Lexical ambiguity can be addressed by algorithmic methods that automatically associate the appropriate meaning with a word in context, a task referred to as word-sense disambiguation. The use of multi-defined words requires the author or speaker to clarify their context, and sometimes elaborate on their specific intended meaning (in which case ...
Empson's best-known work is the book Seven Types of Ambiguity, which, together with Some Versions of Pastoral and The Structure of Complex Words, mines the astonishing riches of linguistic ambiguity in English poetic literature. Empson's studies unearth layer upon layer of irony, suggestion and argumentation in various literary works, applying ...
If separating words using spaces is also permitted, the total number of known possible meanings rises to 58. [38] Czech has the syllabic consonants [r] and [l], which can stand in for vowels. A well-known example of a sentence that does not contain a vowel is Strč prst skrz krk, meaning "stick your finger through the neck."
Some words have multiple interpretations and have different meanings dependent upon one's perspective. What one source describes as a 'war', may be described as an 'invasion' by the other side. Use of such words tends to be seen as advocating the views of one side over the other, unless they are clearly attributed to the correct side.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The scholar of English literature Steve Walker states that Tolkien's prose leaves ample freedom for the reader through its ceaseless ambiguity in many dimensions, such as in diction, [2] in balancing psychological reality against "imaginative possibility", [3] in description of characters and landscape, [3] in tone, [5] between past and present ...
However, this prohibition has been questioned; more descriptivist authors consider that a dangling participle is only problematic when there is actual ambiguity. One of Follett's examples is "Leaping to the saddle, his horse bolted", [5] but a reader is unlikely to be genuinely confused and think that the horse was leaping into a saddle rather ...