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Ziegfeld Girl is a 1941 American musical film directed by Robert Z. Leonard and starring James Stewart, Judy Garland, Hedy Lamarr, Lana Turner, Tony Martin, Jackie Cooper, Eve Arden, and Philip Dorn. The film, which features musical numbers by Busby Berkeley , was produced by Metro-Goldwyn-Mayer .
Ziegfeld Girl (or Girls) can also refer to the hierarchy of performers in Ziegfeld productions, particularly those staged by choreographer Ned Wayburn. Described as atop this hierarchy were the showgirls, tall women who modeled extravagant costumes; below them were the chorus girls, also known as "ponies" or "chickens," who danced and sang in ...
Doris Eaton Travis (March 14, 1904 – May 11, 2010) was an American dancer, stage and film actress, dance instructor, owner and manager, writer, and rancher, who was the last surviving Ziegfeld Girl, a troupe of acclaimed chorus girls who performed as members in the Broadway theatrical revues of the Ziegfeld Follies.
The Ziegfeld Follies were known for displaying beautiful chorus girls, commonly called Ziegfeld Girls, who "paraded up and down flights of stairs as anything from birds to battleships." [ 3 ] They usually wore elaborate costumes by designers such as Erté , Lady Duff-Gordon and Ben Ali Haggin .
Ziegfeld, who was married to actress Billie Burke, had affairs with other Ziegfeld girls, including Lillian Lorraine and Marilyn Miller (who later married Thomas' widower Jack Pickford). [11] [12] Thomas ended the affair with Ziegfeld after he refused to leave Burke to marry her. [13] Memory of Olive Thomas or The Lotus Eater by Alberto Vargas ...
Lillian Lorraine (née Jacques; 1892/1894 – April 17, 1955) was an American stage and screen actress of the 1910s and 1920s, and a prominent Ziegfeld Girl in the Broadway revues Ziegfeld Follies during the 1910s.
Judy Garland, Turner, and James Stewart on the set of Ziegfeld Girl (1941), which precipitated her rise at MGM. In 1940, Turner appeared in her first musical film, Two Girls on Broadway, in which she received top billing over established co-stars Joan Blondell and George Murphy. [64]
Soon, Duff-Gordon was making costumes for Ziegfeld's theatrical productions, the Ziegfeld Follies. [13] Ziegfeld decided to base a scene in his next Follies on one of Duff-Gordon's fashion shows and to use Duff-Gordon's girls to model the clothes. [11] [13] Duff-Gordon warned, "But they do not know how to sing or dance, let alone talk."