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1902 Polish lithograph map of the western parts of the Russian Empire. Original size 33 cm × 24 cm (13.0 in × 9.4 in). Original size 33 cm × 24 cm (13.0 in × 9.4 in). High-volume lithography is used to produce posters, maps, books, newspapers, and packaging—just about any smooth, mass-produced item with print and graphics on it.
Though lithographs are generally more common, an outstanding set using traditional etching is the Vollard Suite of 100 etchings by Pablo Picasso, "undoubtedly the greatest etcher of [the 20th] century", produced from 1930 to 1937 and named after Ambroise Vollard (1866-1939), the art dealer who commissioned them.
Mythological scene with Apollo, Fame, and the Muses by Antoon Sallaert. Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass.
Chromolithography is a method for making multi-colour prints.This type of colour printing stemmed from the process of lithography, [1] and includes all types of lithography that are printed in colour.
Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
Like intaglio vitreographs, waterless lithographs on glass plates are transferred to paper in an etching press. In 1998 Littleton invited three artists, Bonnie Pierce Lhotka, Karin Schminke and Dorothy Simpson Krause (collectively known as the Digital Atelier), to investigate combining digital imagery with vitreography processes. [ 25 ]