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  2. Scientific pitch - Wikipedia

    en.wikipedia.org/wiki/Scientific_pitch

    Scientific pitch, also known as philosophical pitch, Sauveur pitch or Verdi tuning, is an absolute concert pitch standard which is based on middle C (C 4) being set to 256 Hz rather than ~ 261.63 Hz, [a] making it ~ 31.77 cents lower than the common A440 pitch standard.

  3. Concert pitch - Wikipedia

    en.wikipedia.org/wiki/Concert_pitch

    Concert pitch rose further in the 19th century, evidenced by tuning forks of that era in France. The pipe organ tuning fork in Versailles Chapel from 1795 is 390 Hz, [7] an 1810 Paris Opera tuning fork sounds at A = 423 Hz, an 1822 fork gives A = 432 Hz, and an 1855 fork gives A = 449 Hz. [8]

  4. Schumann resonances - Wikipedia

    en.wikipedia.org/wiki/Schumann_resonances

    The global electromagnetic resonance phenomenon is named after physicist Winfried Otto Schumann who predicted it mathematically in 1952. Schumann resonances are the principal background in the part of the electromagnetic spectrum [2] from 3 Hz through 60 Hz [3] and appear as distinct peaks at extremely low frequencies around 7.83 Hz (fundamental), 14.3, 20.8, 27.3, and 33.8 Hz.

  5. LPD433 - Wikipedia

    en.wikipedia.org/wiki/LPD433

    There is significant scope for interference however, both on frequency and on adjacent frequencies, as the band is far from free. The frequencies from 430 to 440 MHz are allocated on a secondary basis to licensed radio amateurs who are allowed to use up to 40 W (16 dBW) between 430 and 432 MHz and 400 W (26 dBW) between 432 and 440 MHz.

  6. Piano key frequencies - Wikipedia

    en.wikipedia.org/wiki/Piano_key_frequencies

    The frequency of a pitch is derived by multiplying (ascending) or dividing (descending) the frequency of the previous pitch by the twelfth root of two (approximately 1.059463). [ 1 ] [ 2 ] For example, to get the frequency one semitone up from A 4 (A ♯ 4 ), multiply 440 Hz by the twelfth root of two.

  7. Saptak - Wikipedia

    en.wikipedia.org/wiki/Saptak

    Talking about frequencies of the svaras, the frequencies change for all svaras i.e. Sa 240 Hz, Re 270 Hz, Komal Ga 288 Hz, Ma 320 Hz, Pa 360 Hz, Dha 405 Hz, and Komal Ni 432 Hz. Consequently, the Sa after the Ni of 432 Hz has a frequency of 480 Hz i.e. double the Lower saptak Sa, as do all 6 other svaras.

  8. Svara - Wikipedia

    en.wikipedia.org/wiki/Svara

    E.g. given Sa 240 Hz, Re 270 Hz, Ga 288 Hz, Ma 320 Hz, Pa 360 Hz, Dha 405 Hz, and Ni 432 Hz, then the Sa after the Ni of 432 Hz has a frequency of 480 Hz i.e. double that of the lower octave Sa, and similarly all the other 6 svaras. Considering the Sa of the Madhya Saptak then frequencies of the other svaras will be,

  9. Scientific pitch notation - Wikipedia

    en.wikipedia.org/wiki/Scientific_pitch_notation

    For standard A440 pitch equal temperament, the system begins at a frequency of 16.35160 Hz, which is assigned the value C 0. The octave 0 of the scientific pitch notation is traditionally called the sub-contra octave , and the tone marked C 0 in SPN is written as ,,C or C,, or CCC in traditional systems, such as Helmholtz notation .