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The Axe of Tuor, called Dramborleg (Gnomish: Thudder-Sharp) [30] in The Book of Lost Tales, is the great axe belonging to Tuor, son of Huor in Unfinished Tales of Númenor and Middle-earth [1] that left wounds like "both a heavy dint as of a club and cleft as a sword". [30] It was later held by the Kings of Numenor, until lost in the downfall ...
In Medieval epics, heroes gave names to their weapons. The name, lineage, and power of the weapon reflected on the hero. Among the major tales are those of Sigurd the Volsung and his sword Gram that he used to kill the dragon Fafnir; [a] [1] Beowulf and the swords Hrunting and Nægling; [2] King Arthur's Excalibur, the "Sword in the Stone"; [2] Roland's Durendal; Waldere's Mimming; [2] and the ...
This list of unusual deaths includes unique or extremely rare circumstances of death recorded throughout the Middle Ages, noted as being unusual by multiple sources. John II Komnenos on a boar hunt Frederick Barbarossa 's strange drowning gave rise to legends that he was still alive
The Dark Lord Sauron gave nine Rings of Power to powerful mortal men, including three lords of the once-powerful island realm of Númenor, along with kings of countries in Middle-earth. [T 2] [T 3] The rings enslaved their bearers to the power of Sauron's One Ring, into which he had put much of his own power. The corrupting effect of the Rings ...
The axe, therefore, as being polluted by murder, was immediately afterward carried before the court of the Prytaneum, which tried the inanimate object for murder, and, after the water-bearers who lustrated the axe, the sharpeners who sharpened it, the axe-bearer who carried it, each denied in turn responsibility for the deed, the guilty axe or ...
Doloire "épaule de mouton" (adze "shoulder of mutton"). The doloire or wagoner's axe was a tool and weapon used during the Middle Ages and Renaissance.The axe had a wooden shaft measuring approximately 1.5 metres (5 feet) in length and a head that was pointed at the top and rounded at the bottom, resembling either a teardrop or an isosceles triangle.
His professional knowledge of Beowulf, telling of a pagan world but with a Christian narrator, [2] helped to shape his fictional world of Middle-earth. His intention to create what has been called "a mythology for England" [T 2] led him to construct not only stories but a fully-formed world, Middle-earth, with languages, peoples, cultures, and ...
Middle-earth is the setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the Miðgarðr of Norse mythology and Middangeard in Old English works, including Beowulf. Middle-earth is the oecumene (i.e. the human-inhabited world, or the central continent of Earth) in Tolkien's imagined mythological past.