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  2. Rasgueado - Wikipedia

    en.wikipedia.org/wiki/Rasgueado

    Rasgueado (also called Golpeado, [1] Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques.

  3. Cantes libres - Wikipedia

    en.wikipedia.org/wiki/Cantes_libres

    The palos traditionally classified as cantes libres are all derived from earlier rhythmic fandangos.. Fandangos naturales.They are structurally derived from the fandangos de Huelva and can also be referred to as fandangos libres, or simply fandangos (when the word fandango is not qualified, nowadays by default it refers to the free styles).

  4. Flamenco mode - Wikipedia

    en.wikipedia.org/wiki/Flamenco_mode

    Flamenco mode Play ⓘ.. In music theory, the flamenco mode (also Major-Phrygian) is a harmonized mode or scale abstracted from its use in flamenco music. In other words, it is the collection of pitches in ascending order accompanied by chords representing the pitches and chords used together in flamenco songs and pieces.

  5. Fronimo (software) - Wikipedia

    en.wikipedia.org/wiki/Fronimo_(software)

    Specialist lute-tabulature software packages such as Fronimo are sometimes preferred by lutenists if they specialise in 17th century tablature, which can be more difficult to set up in packages such as Sibelius. [7] The licence cost of Fronimo may be thought to be reasonable compared to Sibelius when the functionality of that package is not ...

  6. Andalusian cadence - Wikipedia

    en.wikipedia.org/wiki/Andalusian_cadence

    Palos of flamenco. The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise: iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1]

  7. Soleá - Wikipedia

    en.wikipedia.org/wiki/Soleá

    The typical flamenco progression iv, III, II, I (an altered Phrygian cadence) is heard several times during the development of the song. In E altered Phrygian, the progression would be Am, G, F, E (the E chord should be Em in a diatonic Phrygian cadence, but its diatonic third – G – is altered to a G ♯ ).

  8. Oscar Herrero - Wikipedia

    en.wikipedia.org/wiki/Oscar_Herrero

    Óscar Herrero is a Flamenco guitarist from Spain. He was born in Tomelloso ( Ciudad Real ) on 12 March 1959. Oscar Herrero has authored several flamenco guitar teaching DVDs and didactic textbooks.

  9. Willie & Lobo - Wikipedia

    en.wikipedia.org/wiki/Willie_&_Lobo

    Willie & Lobo was a musical duo composed of William Robert "Willie" Royal, Jr. [1] (violin) and Wolfgang Hubert "Lobo" Fink [2] (guitar). Their music, characterized as New Flamenco and World Music, is a blend of Gypsy, Latin, Celtic, Flamenco, Middle Eastern, Rock, Jazz, Cuban Swing, Tango and Salsa.